Gabriel Allon, master art restorer and assassin, returns in a spellbinding new novel from the #1 New York Times bestselling author For Gabriel and his beautiful Venetian-born wife, Chiara, it was supposed to be the start of a pleasant weekend in London-a visit to an art gallery in St. James's to authenticate a newly discovered painting by Titian, followed by a quiet lunch at an Italian restaurant along the Strand. But a pair of deadly bombings in Paris and Hamburg has already marred this sparkling autumn day. And while walking along Wellington Street, the ever-vigilant Gabriel notices a man whom he believes is about to carry out a third attack. The man is exhibiting several traits common to suicide bombers-traits that Gabriel, one of the world's most experienced counterterrorism officers, knows all too well. Armed with a concealed Beretta pistol, he follows the man into the crowded Covent Garden market, determined to prevent the massacre of innocents he fears is about to take place. But before Gabriel can draw his weapon, he is knocked to the pavement by two undercover London police officers. A moment later he looks up to find a scene from his nightmares. Bodies and blood, Baghdad on the Thames ...
Amazon.com Review
Amazon Exclusive: Daniel Silva on Writing Portrait of a Spy with a Pencil While on book tour, I’ve been surprised to find that readers are fascinated by how writers actually write. Most readers hold in their mind an idealized image of the novelist at work—a figure in a trendy urban coffeehouse, a solitary figure walking along an empty beach. The truth, however, is seldom so romantic.
Before going any further, let us stipulate that, much like the hero of my novels, the art restorer and spy Gabriel Allon, I am something of a creature of habit. I work seven days a week, from early in the morning until six thirty in the evening, when I stop to watch the evening news. My work clothing never varies: gray sweatpants by Russell Athletic, a long-sleeve T-shirt by L.L. Bean, fleece Acorn moccasins, and discount cotton socks from Marks & Spencer in England. Occasionally, visitors to our house will catch a glimpse of this outfit, but, for the most part, my wife and children tend to shield me from public view. As a rule, I don’t answer the telephone—unless it is a family emergency of some sort—and I don’t read e-mail. I nibble rather than eat. Portrait of a Spy, like all the Gabriel Allon novels, was fueled largely by McVitie’s digestive biscuits.
I have a computer, of course, but I really do most of my actual writing in longhand, on yellow legal pads. I prefer to work while lying on the floor rather than at my desk. This annoys my wife because she took a great deal of time and effort to have a desk custom made to fit my office. When I showed her a photograph of Muriel Spark, one of her literary heroes, writing in longhand stretched across a floor, she was only partially mollified. Sometimes we talk about living somewhere other than Georgetown. Secretly, the very idea terrifies me. After writing 14 books in the same room of the same house, I am afraid I have lost the ability to work anywhere else.
As for my writing instrument of choice, it is unquestionably the pencil. There is something about the sound it makes scratching across the page that, for me, is the essence of composition. The pencil is the antithesis of all things cyber and e, a means of returning, however briefly, to a world that is unconnected and unwired. A pad and pencil do not freeze or crash. There are no viruses or error messages. If a thunderstorm knocks out the power, the words will still be there when the lights come on again. And then, there is the satisfying natural rhythm of the work itself—the turning of the completed page, the sharpening of the dulled point, the fortnightly disposal of the fluffy wooden shavings.
Lately, I have been hoarding pencils. I’m not sure precisely when it began; I suspect it had something to do with the death of the typewriter. An irrational fear gripped me, a fear that pencils were next. If the typewriter could go extinct, how could the lowly, environmentally hostile pencil possibly hope to survive in the brave new world? I now order my favorite brand—the Paper Mate Mirado Black Warrior No. 2—by the case. I am reasonably confident I now have enough pencils on hand to see me through the next several novels—though, if I happen to misplace a pencil, I will search the house thoroughly before removing a new one from its special drawer and sharpening it for the first time. To sharpen a virgin pencil is, in a sense, to commit an act of assisted suicide. It saddens me.
I wish it were not so. I wish I could write on a computer while traveling on an airplane or sitting in a strange hotel room, but I cannot. I have become a prisoner of my office. I need my floor, and my Mirado Black Warrior No. 2 pencils, and my McVitie’s digestive biscuits. I hoard them, too. I keep them on a special shelf in the storage room, next to my socks from Marks & Spencer.
Copyright © Daniel Silva 2011. All Rights Reserved.
--This text refers to the Hardcover edition. Review
"Allon is the 21st century Bond - elegantly paced, subtle and well-informed. If you haven't read Silva before, try Portrait of a Spy - and then go back and read the series.' Daily Mail 'Sexily brooding Allon... must be the most famous superspy not played by Daniel Craig' Daily Telegraph 'In true Bauer fashion, shoot-outs, kidnappings and international terror plots follow Gabriel Allon wherever he goes' USA Today 'Silva builds tension with breathtaking double and triple turns of the plot' People
About the Author
Daniel Silva is the #1 New York Times bestselling author of The Unlikely Spy, The Mark of the Assassin, The Marching Season, The Kill Artist, The English Assassin, The Confessor, A Death in Vienna, Prince of Fire, The Messenger, The Secret Servant, Moscow Rules, The Defector, and The Rembrandt Affair. He is married to NBC News Today correspondent Jamie Gangel and they have two children. In 2009 Silva was appointed to the United States Holocaust Memorial Museum Council. He lives in Washington, D.C.
Tiểu thuyết gián điệp bán chạy nhất nước Mỹ. Hấp dẫn, lôi cuốn, đam mê, ám ảnh nhưng tuyệt vời. Sách được dịch hơn 25 ngôn ngữ và xuất bản khắp thế giới. Tác giả đã tưởng tượng ra một nhân vật gián điệp và những tình tiết cũng như hoàn cảnh rất ly kì và lôi cuốn người đọc.